Mythical Greek tuner “Hadestown” led the way at the 73rd annual Tony awards winning a total of eight prizes, including best musical. The night’s other big winner, IRA thriller “The Ferryman,” picked up top honors for best play and best director for Sam Mendes. On the acting side, comic legend Elaine May received her first-ever
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Paradigm chief Sam Gores told employees of the agency on Sunday that he has shut down acquisition talks with UTA. Gores said in his note that UTA offered to buy the music and literary divisions of Paradigm but he opted not to sell, and with it a client roster that includes author Stephen King, and
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Linda Fairstein, the newly-embattled prosecutor in the Central Park Five case, declined to participate in the Netflix series “When They See Us” because the production consulted with the five young men wrongfully convicted, one of the filmmakers says. Jane Rosenthal, a producer on the well-received Ava DuVernay project about the infamous 1989 rape of a
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An increasingly hostile trade war with China has Hollywood film financiers and distributors just as nervous as producers and star talent these days. As the Trump administration continues with threats and prohibitions, the theatrical film business specifically is wringing its hands over the possibility of being shut out of the massive Chinese marketplace — to
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Disney-Fox’s “Dark Phoenix” failed to rise in North America, but the latest “X-Men” saga looks off to a slightly better start overseas, where it earned $107 million from 53 international markets. Combined with a disastrous $33 million at the domestic box office, “Dark Phoenix” had a global debut of $140 million. The $200 million movie
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ANNECY – Brazil’s “Beyond the Legend,” Venezuela’s “Karetabla” and Chile’s “Witches’ Business” are among the thirteen animation projects selected to participate at the 5th Bridging the Gap (BTG), a Canary Island-based intensive animation workshop. Since its first edition in 2015, Tenerife animation lab Bridging the Gap has promoted fifty international feature films and animation series.
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The North American box office fizzled this weekend as Universal and Illumination’s “The Secret Life of Pets 2” and Disney and Fox’s “X-Men” installment “Dark Phoenix” battled it out at theaters. Neither packed much of a punch, with both films debuting well below expectations. “The Secret Life of Pets 2” nabbed first place with $47.11
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Viewers obsessive about spoiler alerts will be thwarted by the very title of “Fire Will Come”: You know exactly what climax is coming in Oliver Laxe’s rustically beautiful rural parable, but its dreamy, mesmeric power lies in the waiting. An exactingly paced slow burn before it becomes, well, a very fast one, this second feature
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CLUJ, Romania–Alejandro Landes’ “Monos,” a survival thriller about a group of rebels set deep in the jungles of Colombia, won the top prize at the Transilvanian Intl. Film Festival on Saturday, with the jury praising the Sundance player “for its hypnotic power through its minimalist storytelling, committed cast, and unsentimental portrait of young people with
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Let’s say you want to make a movie about the dynamic between middle-class white folks and the undocumented dayworkers they employ (some would say “exploit”) in a city like Los Angeles. There are plenty of ways to go about it, any number of which could offer a welcome chance to illuminate the ubiquitous but under-chronicled
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