For us dazzled foreigners, it’s easy to forget that South Korea — land of superfast internet, glossy K-Pop, state-of-the-art foldable phones and “Squid Game” — is not in every respect the utopia of hypermodernity its recent global cultural boom might lead one to suspect. The nation actually lags some way behind other developed democracies in
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“Barbie” director Greta Gerwig discussed how Ryan Gosling’s “I’m Just Ken” dance sequence came to be during her Screen Talk at the BFI London Film Festival on Sunday, revealing that she was asked in a “big meeting” if the scene was necessary. “It just said in the script, ‘And then it becomes a dream ballet
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Sri Lankan auteur Prasanna Vithanage is back at the Busan International Film Festival with thriller “Paradise,” which is in the Jiseok competition. The film follows Indian couple – streaming content producer Kesav (Roshan Mathew, Sundance 2023 series “Poacher”) and blogger Amritha (Darshana Rajendran, “Hridayam”) – who are on vacation in Sri Lanka during the country’s
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“Workin’ on a album, now it’s finished,” Drake casually mentions on the album in question, “For All the Dogs.” An unnecessary update, to be sure, but one likely prompted by force of habit: Drake has never taken a meaningful break, perpetually prepping and releasing new music. Since 2006’s “Room For Improvement,” two years have never
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Distribution in Indonesia was the subject of a lively debate at the Busan International Film Festival‘s Asian Contents and Film Market. With 277 million people, Indonesia has one of the largest populations in the world. However, geographically it is an archipelago and for its population, the country is under-screened with just 2,300 cinema screens. Despite
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The enduring popularity of the Asian LGBT and horror genres and the relationship with giant streamer Netflix were among the topics of discussion at a lively panel focusing on distribution at the Busan International Film Festival‘s Asian Contents and Film Market. “I hate the fact that all the producers want to work with Netflix, it
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Ali Kalthami’s satirical drama “Mandoob” (“Night Courier”) examines the class divide in the Saudi capital of Riyadh, telling the story of a hapless delivery man and the desperate avenues he takes to make money. Comedic actor Mohammed Aldokhei plays Fahad, who finds himself in a precarious situation after he is fired from his day job
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Director Karan Tejpal’s feature film debut “Stolen” is a nail-biting thriller about two privileged, big-city boys who unwittingly embark on a harrowing adventure as they help an impoverished young woman find her kidnapped baby in rural India. The film, which is produced by Gaurav Dhingra’s Jungle Book Studio, is also a commentary on the alarming
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Bradley Liew of Epicmedia Productions (Philippines), Stefano Centini of Volos Films (Taiwan/Italy) and Singapore’s Huang Junxiang have reunited to launch two genre projects at the Busan International Film Festival‘s Asian Contents and Film Market. The trio previously teamed on Sundance Midnight hit, “In My Mother’s Skin” by Kenneth Dagatan, which was recently ranked number six
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After his fiction feature debut, the absurdist satire “Eeb Allay Ooo!,” Indian filmmaker Prateek Vats is readying political comedy “Chronicles of a Confession.” The film is a selection at the Busan International Film Festival‘s Asian Project Market. “Eeb Allay Ooo!” won big at the Mumbai Film Festival and went on to play at the Berlinale,
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India’s Crawling Angel Films and Singapore’s Akanga Film Asia are teaming on Busan Asian Film School (AFiS) alumnus Aakash Chhabra’s feature directorial debut “I′ll Smile in September.” The film is selected at the Busan International Film Festival‘s Asian Project Market. Akanga’s credits include Cannes winner “Tiger Stripes,” Locarno winner “A Land Imagined” and its “Oasis
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The renaissance in Indonesian cinema is being celebrated at the Busan International Film Festival this year with 15 films, shorts and series being showcased. Hilmar Farid, Director General of Culture at Indonesia‘s Ministry of Education, Culture, Research, and Technology, is leading a 50-strong delegation of filmmakers, committee members and media to the festival. Variety spoke
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Berlin-based sales agent ArtHood Entertainment has picked up world rights, outside of much of East Asia, to “Salli,” a film which has its world premiere this week in the Busan International Film Festival’s A Window on Asian Cinema program. The Mandarin-, Taiwanese-, English- and French-language film follows a lonely middle-aged chicken farmer Hui-Chun, who doesn’t
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Celebrated Indian filmmaker Rima Das is at the Busan International Film Festival‘s Asian Project Market with “Malati, My Love.” Like all of Das’ previous films, “Malati, My Love” is set in Assam, eastern India. It will follow Apurva and Malati who are happily married and madly in love, unabashed by what people in their small
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“Where the Rivers Run South,” the Nepalese project at the Busan International Film Festival‘s Asian Project Market, has received support from the Asian Cinema Fund’s script development pool. The film, which aims to tackle head on two timely issues in Nepal today – migrant labor and patriarchy – marks the feature directorial debut of Suraj
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Pink wishes she never ventured down to Bikini Bottom with the “SpongeBob SquarePants” song, “We’ve Got Scurvy.” In a recent interview with the Los Angeles Times, the Grammy-winning singer revealed which of her singles she considers her best and worst. After sharing that “So What” and “Get the Party Started” are among her best songs,
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When it comes to how big a movie experience can get, Sphere has answered that question once and for all: The sky is the limit. The first film to play in the enormous, immersive new space in Las Vegas, Darren Aronofsky‘s “Postcard From Earth,” has plenty of blue-screen, so to speak — that is, vast
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At the memorial gathering for her husband Adnan, 30-year-old Nawal (a riveting Mouna Hawa) is offered many empty words of support and so-called comfort by friends and family. “When a woman loses her husband, she loses her lover, her partner, everything in her life,” clucks a commiserating neighbor. What she fails to mention is how
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“Hesitation Wound” and “Hollywoodgate” were named winners at the Zurich Film Festival, as the 19th edition of the Swiss festival came to a close. Selman Nacar’s drama “Hesitation Wound” impressed the Feature Film Competition jury. “Moral issues are a frequent underlying theme in many films, but the dilemma facing the main character in this film
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Barbra Streisand has revealed in her upcoming memoir “My Name is Barbra” the lengths she went to in order to cast Robert Redford in Sydney Pollack’s 1973 romantic drama “The Way We Were,” even after he initially refused the part. “The Way We Were” stars Streisand and Redford as Katie and Hubbell, an unlikely couple
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World War I spy drama “Davos 1917” was inspired by real stories, says head writer and creative producer Adrian Illien. As well as real women. “There were all these Swiss nurses who would go abroad during the war. When you read their diaries, there is a sense of adventure. They could finally get away. I
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