Six years after “Loving Vincent,” their groundbreaking biopic of the Dutch painter Vincent van Gogh earned an Oscar nomination and raked in more than $50 million at the global box office, the filmmaking team behind that hit is back with a bigger, more ambitious animated feature that utilizes the same stunning hand-painted animation technique to
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Check out an Official TV Spot for Dumb Money starring Paul Dano! ► Buy Tickets for Dumb Money: https://www.fandango.com/dumb-money-2023-232282/movie-overview?cmp=Trailers_YouTube_Desc Subscribe to the channel and click the bell icon to be notified of all the hottest trailers: http://bit.ly/2CNniBy ► Shop Rotten Tomatoes: http://bit.ly/3KvCU1M US Release Date: September 29, 2023 Starring: America Ferrera, Paul Dano, Seth Rogen,
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Brussels-based company Best Friend Forever has revealed a raft of deals for key territories for Ramata-Toulaye Sy‘s feature film debut, “Banel & Adama,” which played in competition in Cannes and makes its North American premiere in Toronto. Variety reviewed it as “a dreamlike debut” in May. The film just won the Melbourne International Film Festival’s
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Here are the new movies trailers from this week! What are you excited to see? ► Buy Movie Tickets: https://www.fandango.com/?cmp=Trailers_YouTube_Desc Subscribe to the channel and click the bell icon to be notified of all the hottest trailers: http://bit.ly/2CNniBy ► Shop Rotten Tomatoes: http://bit.ly/3KvCU1M Music: Courtesy of Extreme Music Watch More: ► Rotten Tomatoes Originals: http://bit.ly/2D3sipV
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Designing costumes for nude models sounds a bit like an oxymoron, but Marie Schley, the costume designer on Starz’s raunchy comedy “Minx,” says otherwise: “You’d be surprised how many clothes are in a nude photo shoot. How else are you gonna know they’re cowboys?” Created by Ellen Rapoport, “Minx” is set in the early ’70s,
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Indigenous filmmakers continue to make strides in Canada, building industry capacity on their own terms and telling stories that both honor their communities and reach out to global audiences. Toronto’s 2023 slate offers audiences and buyers vital, provocative, and — because we need it — hilarious world-premiering work from established creators and up-and-comers.  “Tautuktavuk (What We
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Oscar- and Emmy-winning actress Patricia Arquette was cast in her latest, most challenging role by an unlikely group: her colleagues. “For many years, the crews I worked with were always saying, ‘You should direct,’” Arquette says of helming her first feature, the Toronto world premiere “Gonzo Girl.” “Or actors in a scene would say, ‘Was
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Ellen Kuras is having a full-circle moment. The celebrated cinematographer, who has worked for directors including Martin Scorsese, Spike Lee and Michel Gondry, wanted to be a politically minded filmmaker like Costa-Gavras when she was starting out, but found herself primarily working behind the camera for many years. With “Lee,” a Toronto premiere starring Kate
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It’s not every director who gets to turn Cate Blanchett down. Rarer still for a first-time filmmaker from Europe whose arty, offbeat debut — a poetic, surreal, soulful meditation on memory and grief — might have easily escaped the attention of Hollywood royalty. But “Apples,” by Greek director Christos Nikou, charmed audiences after its 2020
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Filmmaker Chloé Robichaud would often listen to classical music in the background to help focus her writing process — a subliminal influence that led to the creation of the main character of “Days of Happiness,” which world premieres in Toronto Sept. 9. Her third feature follows gifted young conductor Emma (Sophie Desmarais) at a pivotal
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Toronto’s Platform is set to be enriched by Jaione Camborda’s poignant second feature “The Rye Horn.” The film, set against the backdrop of 1970s Galicia, unravels the tale of María, a midwife thrust into a life on the run following a devastating incident. Her path to freedom takes her from Galicia to Portugal, retracing ancient
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“Maudie” director Aisling Walsh describes her upcoming feature, “Ethel,” in recognizable terms. “We all understand what it is to struggle to be the best at what we can,” Walsh tells Variety. “We’re all looking for that chance to make something happen.” Written by Celeste Parr, produced by Marie-Claude Poulin (“Brooklyn”) of Sphere Media, and presented
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How does one measure the worth of one’s life? Does one life have more value than another? These complicated questions are at the center of British-Palestinian writer-director Farah Nabulsi’s feature debut, “The Teacher,” which premieres in TIFF’s Discovery section. The film follows Palestinian schoolteacher Basem (Saleh Bakri), who acts as a father figure to two
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Remarking on the sterling success of Yorgos Lanthimos’ “Poor Things” in Venice and of Jonathan Glazer’s “The Zone of Interest” in Cannes, “All Quiet on the Western Front” director Edward Berger has noticed a trend – and he hopes to apply that recognition back to the German industry. “Film4 came and took [filmmakers like Jonathan
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Industry delegates sent a clear message to the filmmakers behind “Nothing But the Truth about Extraterrestrials”: We want to believe. A non-fiction dive into the latest science behind little green men, the multilingual doc proved quite a hot item at this year’s Venice Production Bridge gap-financing market, fielding three bids for distribution, another three co-production
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The BAFTA Children and Young People Awards have been rebranded and will be incorporated into the annual film, games and television ceremonies. The org’s support for the children’s media industry and its year-round learning programs will now take place under a new brand, Young BAFTA. New categories for children’s content will be introduced to BAFTA’s film,
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In Giorgio Diritti’s film “Lubo,” based on Mario Cavatore’s novel “Il seminatore,” Franz Rogowski seduces as Lubo, a Yenish traveling performer, father and husband, who has to join the Swiss army in 1939. He is one hell of a charmer, although his passion has dark undertones. “Our take is more playful, but the book put
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Seated before a photo of filmmaker Sarah Moldoror, panelists at this year’s Women in Film roundtable shared strategies for greater industry parity, while reflecting on recent successes and standstills in that ongoing pursuit. Variety has been give access to the video of the panel discussion. Organized by Magaajyia Silberfeld and Winta Ghebre, and moderated by
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A lot of the young men who became stock traders in the 1980s saw themselves as rebels. With their Porsches and drugs and (by the decade’s end) their idolization of Gordon Gekko, they put the kill into making a killing. They were the new swingers of greed. Of course, they weren’t really rebels, but it
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