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In the bravura opening sequence of David Fincher’s “The Killer,” we watch the title character, a cold-as-dry-ice professional hitman who is never named, as he prepares to assassinate his latest victim. The hit is taking place in Paris, and the target is some sort of powerful corporate tycoon who we, like the killer, know nothing

Christopher Nolan’s dark historical epic “Oppenheimer” has crossed another remarkable box office milestone with $850 million in global ticket sales. The movie, starring Cillian Murphy as the so-called “father of the atomic bomb,” has generated $311 million in North America and $542.7 million internationally to date. The film continues to crush expectations, especially for a

Billed as the first feature film to be co-directed by an Iranian and an Israeli filmmaker, “Tatami” goes all in with a lean and tense narrative that is part sport movie, part political thriller — with both parts equally neatly realized. Directed by Guy Nattiv and “Holy Spider” lead actor Zar Amir Ebrahimi (who also

Elsa Zylberstein, the French César-winning actor and producer whose popular movie “Simone: Woman of the Century” recently opened in the U.S., is preparing a biopic movie of fashion icon Christian Dior. The film is being penned by Julien Teisseire (“The Hookup Plan”) and is being developed by Zylberstein’s banner Sonia Films and Odile McDonald (“Ransom”). Zylberstein,

Few were expecting the bomb and the bombshell to save the summer box office. But thanks to the sky-high ticket sales for Greta Gerwig’s very pink “Barbie” and Christopher Nolan’s supremely dark “Oppenheimer,” domestic revenue hit $4 billion between May and August for the first time in the pandemic era. “As a seemingly out of

Bertrand Bonello’s sci-fi drama “The Beast,” which premiered at the Venice Film Festival on Sunday, follows a star-crossed duo, trying — and failing — to make love work across three timelines. Moving between 1910, 2014 and 2044, the film mixes period drama, speculative sci-fi and bouts of genuinely chilling horror — particularly in a middle

The Creatives – the Fremantle-backed alliance of 10 leading production companies – have shared the results of the first edition of “The Creative Connection” at the Venice Film Festival. The companies – which include Lemming Film (Locarno premiere “Sweet Dreams”), Versus Production (Venice’s “Through the Night”), Maipo Film (“Elling”), Razor Film (“Quo Vadis, Aida?”), Komplizen

It does rather feel as if the universe — or at least the French film industry — is trying to tell us something when 2023 has turned up not one but two loose Gallic adaptations of Henry James’s “The Beast in the Jungle.” That 1903 novella was about a man, John Marcher, who fails to

To find her voice as a filmmaker, Paris-based documentarian Lina Soualem had to first look to the past. The daughter of French actor Zinedine Soualem and Palestinian actress Hiam Abbass — seen recently as the Machiavellian Marcia Roy in HBO’s “Succession” — Soualem used her directorial debut, “Their Algeria,” to tell the story of her

Denzel Washington’s bloody assassin-thriller “The Equalizer 3” debuted at the top of box office charts with $34.5 million over the weekend and an estimated $41 million through Monday’s Labor Day holiday. It’s the second-biggest Labor Day opening weekend in modern times, though the holiday isn’t known for bringing people to the movies. After the record-holder

British Hollywood director Simon West (“Con Air,” “Lara Croft:Tomb Raider”) is set to direct Saudi Arabia-set epic “Antara” that will be shot in Neom, the sprawling production hub in Saudi Arabia’s northwestern corner. The English-language blockbuster based on Arab history is the tale of Antara ibn Shaddad, a slave warrior who was propelled to mythical status

“Sex is back,” said Julie Hintsinger, executive director of the Telluride Film Festival, to a packed house of festival-goers as they took in the newest effort from Yorgos Lanthimos at this year’s 50th anniversary. One of the festivals tributes this year, a pre-screening convo was moderated by director Karyn Kusama, as the two discussed his

Whoopi Goldberg and Jeremy Irvine are set to star in Italian comedy “Leopardi & Co.,” directed by Federica Biondi and produced by Franco-Tunisian film and TV entrepreneur Tarak Ben Ammar’s Eagle Pictures. Shooting on the film is currently underway in the town of Recanati, which is known to many Italians as the birthplace of one

British actor Faraz Ayub is in virtually every frame of Moin Hussain’s “Sky Peals,” world premiering at the Venice Film Festival’s Critics’ Week. Ayub plays Adam, who works night shifts at a motorway service station and lives a lonely life. Upon hearing that his estranged father has died, he finds himself in search of answers.

Vicky Krieps, best performance prize winner in Cannes’ Un Certain Regard for “Corsage,” will star as Sophie Toscan du Plantier in six time-Oscar nominee Jim Sheridan and David Merriman’s “Re-creation,” which is being presented in the Venice Gap-Financing Market. The docu-drama, which centers on the brutal murder in 1996 in Ireland of French film and

Andrew Scott sees dead people, but he could also see an Oscar nomination come his way with his heartbreaking and tenderly emotional turn as a gay screenwriter in Andrew Haigh’s drama “All of Us Strangers.” Loosely based on Taichi Yamada’s 1987 novel “Strangers,” the film follows screenwriter Adam (Scott), who, after an encounter with his

Harmony Korine’s “Aggro Dr1ft” received a 10-minute standing ovation after its premiere at Venice Film Festival, despite a flurry of walkouts. Though some audience members left as soon as the 80-minute experimental action film finished (and at least 25 departed before that), Korine’s hardcore fans stuck around for a rousing 10-minute ovation at the midnight

Roman Polanski’s black comedy “The Palace” was given a tepid three-minutes of applause when it world premiered in the Palazzo del Cinema’s Sala Grande on Saturday night. Producer Luca Barbareschi, French star Fanny Ardant and other key cast members including German actor Oliver Masucci (“Fantastic Beasts: The Secrets of Dumbledore”), Portugal’s Joaquim de Almeida and Italy’s

I have seen the future of cinema, and it is “Aggro Dr1ft,” a neon-hued outlaw eyegasm from the director of ”Spring Breakers.” There will likely never be another film like it. Even so, it’s clear that Harmony Korine’s immersive iridescent plunge into the world and psyche of a serial killer points the way down fresh