Entertainment News Boom

“In Our Day,” the film by South Korean auteur Hong Sang-soo which closes the Directors’ Fortnight section of the Cannes film festival, has seen distributors in multiple territories move early to strike rights deals. French rights were picked up by Capricci), Spanish rights by L’Atalante Cinema and Greek rights by Ama Films. The film has

Like a beloved monarch, Alicia Vikander was greeted with an eight-minute standing ovation at the May 21 Cannes premiere of Brazilian director Karim Aïnouz’s “Firebrand,” from a crowd that included best actress Oscar winners Michelle Yeoh and Marion Cotillard. With her husband Michael Fassbender beaming on from the row behind, Vikander motioned for the cheering

Romania’s culture minister Lucian Romașcanu is confident that the country’s beleaguered cash rebate system is back on track, insisting in Cannes on Sunday that the government is committed to “repairing” a scheme that has ground to a halt in recent years. “Everyone in politics, starting with the future Prime Minister Marcel Ciolacu, understands the importance

Oscar winner Jennifer Lawrence and her producing partner Justine Ciarrocchi touched down at the Cannes Film Festival on Sunday to promote their label’s first ever documentary feature, “Bread and Roses” — a harrowing and emotional look at the lives of women in Afghanistan under Taliban rule. After two decades of American occupation, the nation fell

Tudor, or not Tudor. That is the question in “Firebrand,” a revisionist royal portrait of Henry VIII’s last wife, Katherine Parr (played here by Alicia Vikander), that features all the pageantry you’d expect from a lavish costume drama, while showing the ahistorical audacity to call “Time’s Up” on the gluttonous king (Jude Law). Never mind

Afghan director Sahra Mani‘s well-received “A Thousand Girls Like Me” documented the quest for justice of a young incest victim, and now, Mani has returned with a similarly hard-hitting documentary, “Bread and Roses”, premiering in the official selection of Cannes as a special screening. Produced by Jennifer Lawrence, this film tackles an urgent and timely

A bold departure from France’s cinema tradition of social realism, Thomas Cailley’s widely ambitious sophomore outing “The Animal Kingdom” is equally a creature-filled dystopia, an emotionally charged father-and-son drama and a coming-of-age tale. The character-driven film world premiered to warm reviews at the Cannes Film Festival where it bowed the Un Certain Regard section. “The

Spain’s Revelations showcase has focused on shorts, not features, unveiling the huge breadth of animation talent and techniques in Spain. Some shorts directors are already stars, such as Alberto Mielgo with the Oscar-winner “The Windshield Wiper.” Diego Porral, director of “Leopoldo From the Bar,” served as animation lead on “Love, Death + Robots” episode “Kill

After an illustrious four-decade career, Michelle Yeoh finally became an Oscar-winning actor just two months ago for “Everything Everywhere All At Once.” Yeoh says Asian performers were ignored for far too long, but she is hopeful for the future. Speaking during the Kering Women in Motion talks at Cannes, Yeoh reflected on the first time

Depending on where you come down on the question of its main character’s guilt or innocence, Justine Triet’s “Anatomy of a Fall” could be seen as a kind of “Gone Girl” in reverse: A frustrated writer dies of suspicious causes, leaving behind clues that implicate his wife (Sandra Hüller). If the man’s death was a

Adrian Wootton, CEO of Film London and the British Film Commission, will preside over the jury of the Malta Film Commission’s inaugural Mediterrane Film Festival celebrating movies from the Mediterranean Basin. The fest, which will take place in Valletta, Malta’s capital, and other locations on the island between June 25-30, will showcase films from each of

The hottest package at this year’s Cannes Film Festival stars a 76-year old action star and is a reboot of a movie that first dazzled moviegoers in 1993. That’s a time, in case you forgot, before TikTok or smartphones, Facebook or Amazon, or any number of technological changes that have reshaped our world and the

Todd Haynes is the latest auteur to use Cannes as a launching pad for a potential Oscar contender, debuting his delicious dramedy “May December” at the festival on Saturday. Premiering less than one hour after Martin Scorsese’s 202-minute “Killers of the Flower Moon” conquered Cannes, the torrential downpour on Saturday night couldn’t keep many patrons

“Fast X,” the 10th installment in Universal’s high-octane franchise, powered to $320 million worldwide, including an uninspired $67.5 million in its domestic debut. It secured the second-biggest global opening weekend of the year following another Universal title, “The Super Mario Bros. Movie” ($377 million). Even though “Fast X” arrived on the higher end of projections,

Rio de Janeiro city authorities are looking to increase Rio’s cash rebate for international shoots launched last October by city org RioFilme with a 35% deduction rate on expenditure and R$15 million ($3.0 million) in total funding.  “We have on the table a proposal to double that,” Marcelo Calero, Rio de Janeiro city secretary of culture

This year at Cannes Iran is being repped by just one film, the timely underground drama “Terrestrial Verses,” co-directed by Canada-based Alireza Khatami and Iran-based Ali Asgari, premiering in Un Certain Regard. Shot after the Mahsa Amini movement started, “Verses” consists of 12 tableaus depicting the increasingly absurd and tragic plight that Iranians face in

What if you had to track down and have sex with everyone you’ve ever slept with, for the good of your current relationship? That’s the quirky premise of Ann Sirot and Raphaël Balboni’s new comedy, ‘The (Ex)perience of Love,’ the follow-up to their 2020 debut “Une vie démente.” When we meet them, the couple in

Robert De Niro blasted Donald Trump as a “stupid” man during the Cannes Film Festival press conference for “Killers of the Flower Moon,” comparing the former president to the twisted power player he portrays in Martin Scorsese’s crime epic, which premiered on Saturday night. De Niro admits he struggled to connect with William Hale, saying

Christopher Nolan has finally weighed in on the “Oppenheimer” runtime, confirming to Total Film magazine that it is his longest movie to date. The director’s confirmation means “Oppenheimer” at least runs longer than 2 hours and 49 minutes. That was the runtime on “Interstellar,” the director’s longest movie until “Oppenheimer.” Previous reports pegged the “Oppenheimer”

Maxime Rappaz’s debut film “Let Me Go,” which plays in the Cannes ACID sidebar, has been sold to Brazil and Taiwan. The film stars Cannes regular Jeanne Balibar in the lead role as a fiftysomething woman torn between her family commitments and pursuing her own desires. Every Tuesday, a neighbor takes care of Claudine’s son