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Award-winning author Paul McAuley’s acclaimed science fiction novel “Austral” is set for an epic series adaptation from Circle of Confusion Television Studios and ITV Studios’ Big Talk Productions (“Baby Driver”). “Austral” is an expansive drama set in Antarctica during the year 2098, decades after the melting glaciers have given way to a new frontier of
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Fresh off the success of HBO Max release “It’s a Sin,” which built on the achievement of 2019’s “Years and Years,” Welsh writer-showrunner-producer Russell T. Davies is set to receive the 2021 Canneseries Excellence Award. The plaudit will be presented to Davies on March 23 during an online conversation hosted by Canneseries, the Cannes International
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Vice reported nearly £160 million ($222 million) in revenues across its U.K. businesses in 2019, with “Gangs of London” producer Pulse Films driving the company’s production gains. Filings posted to the U.K.’s Companies House reveal that Vice U.K. revenues — which span Vice U.K. Limited, covering digital and Virtue, as well as Pulse Films, Vice
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One of the bright lights of this year’s awards season, BAFTA best actress nominee Bukky Bakray of the film “Rocks” will star in forthcoming BBC One and Netflix drama “You Don’t Know Me.” Produced by Snowed-In Production and co-produced with Netflix, the show has now begun filming in Birmingham. The project is an adaptation of Imran
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After years of pining for Hollywood accolades, China has more to celebrate about the Academy’s nominations this year than it has in nearly a decade. But its own politics have prevented its media and many of its citizens from rejoicing. While Beijing’s submission, the propagandistic volleyball drama “Leap,” fell flat, Taiwan’s “A Sun” was shortlisted
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Comcast-backed Sky Studios has launched a new production outfit. Transistor Films, a wholly-owned factual and unscripted shingle, will be headed by producer Danny Tipping (pictured). The company, based in London, launches under the new label this week with executive producer Ned Parker, series producer Zoe Hines and development executive Jason Oates joining the company. Most
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“Did you think you were making a French independent film?” rails literary agent Vincent (Mikaël Chirinian) in French independent film “The World After Us.” He’s angry with his callow young client, Labidi (Aurélien Gabrielli), because Labidi has abruptly changed tack on a novel that’s already been optioned, and has also changed its title to, inevitably,
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Around the same time that Emmy-nominated writer-director Sally Aitken’s latest film was debuting in the World Documentary section at Sundance, the New York Times ran a piece on the alarming decline in the worldwide shark population, citing a 70% reduction since the 1970s. It’s a statistic — possibly conservative given the underreporting from some parts
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Seasonal beach towns feel haunted once balmy temperatures start to tumble. Remove the cheery masses, ice cream vendors and sizzling sands overtaken by crowds, and you’ll be left with eerily quiet streets, alongside waves echoing with distant memories of summer days. Set on one such mostly vacant (and likely fictional) island getting ready to shutter
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U.S. entertainment financier Library Pictures International has struck a three-year deal to co-finance a slate of Korean-language movies from Next Entertainment World (N.E.W.). Library’s investment will include finished films, films currently in pre-production, as well as projects developed over the course of the next three years. The company was started in 2008 as a local distributor
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Striking a middle ground between teen fantasy “The Craft” and deadly serious political allegory “The Handmaid’s Tale” is “Witch Hunt,” writer-director Elle Callahan’s second feature. Her first, the 2019 “Head Count,” was a strikingly assured supernatural mind-bender, albeit one a little too understated for some genre fans. By contrast, this sophomore effort is comparatively conventional
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