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The speechwriter who helped President Barack Obama pen his stirring address memorializing the victims of the Charleston church massacre will release a memoir about his time working in the White House. Sugar23 Books, an imprint of Houghton Mifflin Harcourt Books & Media, has acquired “Grace: A President, His Speechwriter, and Ten Days in the Battle
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Laurence Fishburne is set to receive the Lifetime Achievement Award at the 2021 edition of the SCAD aTVfest. The “Black-ish” star and executive producer is only the second actor to receive the honor from the Savannah College of Art and Design (SCAD), after Phylicia Rashad was awarded the comparable Outstanding Achievement in Television prize during
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Universal Music Group has announced the promotion of Will Tanous to Executive Vice President, Chief Administrative Officer, effective immediately. He will continue to serve as a member of the company’s executive management board. In his new position, Tanous, who will continue to report to UMG Chairman and CEO Lucian Grainge, will retain his current responsibilities and add new
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Dolly Parton has reimagined her classic 1980 song “9 to 5” as “5 to 9” for a Squarespace commercial celebrating office workers getting their entrepreneurial side hustles going after hours. The minute-long spot, already available for view now, is set to have its broadcast premiere during the Super Bowl telecast on Sunday. Oscar winning filmmaker
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Italy’s CAM Film and Fremantle’s The Apartment have teamed up to acquire rights to bestselling Italian author Carlo Rovelli’s “Helgoland,” an origin story about quantum physics, with plans to turn the book into a high-end TV series. A bestseller in Italy, “Helgoland” will soon be published in the U.K. and elsewhere around world. It’s the story
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Satellite radio giant SiriusXM saw a 6% revenue gain and added 279,000 subscribers in its satellite radio business, although it faced “headwinds” with its Pandora unit, which lost 63,000 subscribers and recorded a $976 million impairment charge, due primarily to royalty payment costs. The company had warned investors of the charge last month in its
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They’re more than friends, they’re family. That’s how Annie Mumolo and Kristen Wiig, the writers and stars of “Barb and Star Go to Vista Del Mar,” see not just their creative relationship but their connection that spans decades. “I think it’s like the lightning bolt of finding a marriage partner,” says Mumolo. “I feel lucky
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AMC Networks and Toronto-based Shaftesbury have entered into a new strategic partnership that, through an investment in Shaftesbury, will grant AMC access to the production company’s slate and expand its content and development capabilities in Canada. The partnership, which builds on AMC and Shaftesbury’s existing production ties, was forged with the intention of growing Shaftesbury’s
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Spain’s Bendita Film Sales has picked up worldwide sales rights to coming-of-age drama “The Saint of the Impossible,” the feature debut of Swiss director Marc Wilkins. Variety has had exclusive access to the film’s trailer. Based on a novel by Dutch writer and New York Times contributor Arnon Grunberg, “Saint” toplines Peru’s Magaly Solier (“The
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The sad spectacle of Brexit over the last five years has led many casual news-watchers to over-idealize the European Union, even as its uniform industry regulations and injunctions weigh harshly on a lot of innocent parties. A view from the other side comes in “Luzzu,” an honest, affecting slab of working-class portraiture, altogether bracing with
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Jen Richards has joined the team at CBS’ “Clarice.” The transgender actor, writer, producer and activist was first recommended by GLAAD’s director of trans representation, Nick Adams, to consult on the show, but she will be appearing on-screen, as well. “All I can say is that the character intersects with Clarice’s storyline in a way
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Rebecca Hall’s feature directorial debut “Passing” dives into the nuance of racial identity and the complex realities of racial passing, with Variety’s Sundance review touting Hall’s work: “This radically intimate exploration of the desperately fraught concept of ‘passing’ — being Black but pretending to be white — ought to be too ambitious for a first-time filmmaker,
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The enigma, at the beginning, is that the dog makes no noise. Unless you count the tinkling of his bone-shaped name-tag as he snuffles doggishly around the yard. Neighbors come by, politely, to complain about his whimpering, and his owner acknowledges the problem apologetically, but if he’s noisy, it happens offscreen. It’s that way with
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