Warner Bros.’ “Elvis,” directed by Baz Luhrmann and starring Austin Butler and Tom Hanks, debuted atop the U.K. and Ireland box office with £4.02 million ($4.9 million), according to numbers released by Comscore. After two weeks at the top, Universal’s “Jurassic World: Dominion” was in second place in its third weekend with £3.4 million for
Box Office
The King is No. 1 at the domestic box office. After a heated box office battle, “Elvis” emerged victorious over “Top Gun: Maverick” to claim the top spot on North American box office charts. Over the weekend, “Elvis” and “Top Gun: Maverick” were duking it out as the King of Rock and Roll took the
Sentimental local drama film “Lighting up the Stars” topped the mainland China box office with a solid $31.8 million opening weekend. It underlined the cinema reopening and industry recovery process that has been underway since the beginning of June. The film tells the tale of an ex-con funeral director who has a chance meeting with
“Top Gun Maverick” flew to the top of the box office charts in South Korea over the weekend, with a supersonic $9.6 million opening loop. It replaced “The Witch: Part 2 The Other One,” which had been top dog for only a week. Tom Cruise, a regular visitor to Korea, jetted into Seoul with producer
Paramount and Skydance’s all-American blockbuster “Top Gun: Maverick” is still flying high at the box office, crossing the coveted $1 billion milestone over the weekend. It’s the first movie of the year and only the second in COVID times (following Sony’s “Spider-Man: No Way Home” with $1.9 billion) to reach that benchmark. It’s even more
In an unusually close box office battle, “Elvis and “Top Gun: Maverick” have tied for first place in North America, with each film bringing in $30.5 million over the weekend. “Elvis” and “Top Gun: Maverick” were locked in a dead heat all weekend as the King of Rock and Roll took the No. 1 spot
It’s a 20th century showdown at the box office this weekend, with the baby boomer epic “Elvis” contending against Gen X revamp “Top Gun: Maverick” for the top spot on domestic charts. Director Baz Luhrmann’s biopic about the King of Rock and Roll is projected to draw $30 million from 3,906 theaters in its opening.
Director Baz Luhrmann’s musical biopic “Elvis” dazzled at Cannes Film Festival, earning a 12-minute standing ovation. Will audiences respond with the same, sustained enthusiasm? According to early estimates, the Warner Bros. film is aiming to collect $30 million from 3,900 venues in its domestic box office debut over the weekend. That’s a solid start for
Paramount’s blockbuster “Top Gun: Maverick” is still flying at sky-high altitudes, surpassing $900 million at the global box office. With $901.8 million in the bank, the sequel to Tom Cruise’s 1986 action flick “Top Gun” stands as the year’s second-highest grossing movie worldwide behind Disney’s Marvel adventure “Doctor Strange in the Multiverse of Madness” ($943
Universal’s “Jurassic World: Dominion” stayed atop the U.K. and Ireland box office for the second weekend in a row with £5.7 million ($7 million) for a total of £21.7 million, according to numbers released by Comscore. In its fourth weekend, Paramount’s Tom Cruise vehicle “Top Gun: Maverick” collected a lofty £4.2 million in second place
European cinemas bounced back strongly in 2021 after a miserable COVID-hit 2020. They are capable of returning to 2019 levels, says the International Union of Cinemas (UNIC) in its annual report, but they are not there yet. UNIC represents cinema trade associations and cinema operators in 39 countries in Europe and neighboring regions. Publication of
“Jurassic World Dominion” held on to top spot at the mainland China box office despite a 57% drop and the expected challenge from local newcomer “One Week Friends.” The dinosaur franchise movie picked up $23.3 million (RMB156 million) in China between Friday and Sunday, giving it a healthy cumulative score of $92.4 million after ten
The theatrical debut of much-anticipated local horror-action film “The Witch: Part 2. The Other One” dominated the Korean box office chart over the latest weekend and overshadowed the simultaneous release of Pixar title “Lightyear.” Distributed by Next Entertainment World, “The Witch: Part 2” conjured up an $8.21 million opening weekend from just shy of 1,800
To infinity and beyond? Not exactly… “Lightyear,” a spinoff story set in Pixar’s “Toy Story” universe, fell short of that boundless milestone in its box office debut, collecting a lackluster $51 million from 4,255 North American theaters. Family audiences, the movie’s prime demographic, haven’t returned to theaters in full force since the start of the
Infinity isn’t a practical milestone at the box office, so Disney’s “Lightyear” will have to settle for a $20.7 million opening day and beyond. Pixar’s spinoff of its “Toy Story” series blasted off on Thursday night with a respectable $5.2 million from preview screenings. However, the film is now tracking for an opening in the
Disney’s “Lightyear,” an origin story about the Star Command’s most famous space ranger, is looking to take the box office to infinity and beyond. But first, it’ll have to thwart some rogue dinosaurs and a few fighter jets. The “Toy Story” spinoff is expected to launch to $70 million to $80 million from 4,200 North
Universal’s “Jurassic World: Dominion” debuted atop the U.K. and Ireland box office with £12.1 million ($14.8 million), according to numbers released by Comscore. Paramount’s “Top Gun: Maverick” scored £5.5 million in its third weekend and now has a mighty total of £50 million, jetting towards being one of the highest grossers of the year in
“Top Gun: Maverick” soared past $400 million at the domestic box office, making it the highest grossing movie of the year in the U.S. With $401.8 million in North American ticket sales, Tom Cruise’s patriotic blockbuster has surpassed “Doctor Strange in the Multiverse of Madness” ($398 million) to claim the No. 1 spot. It’s only
A powerfully impressive opening by “Jurassic World Dominion” and a partial reopening of cinemas gave China its biggest box office weekend in more than three months. The dinosaur franchise movie earned $53 million (RMB355 million) in three days in China, according to data from consultancy Artisan Gateway. The film chewed off a massive 88% share
“Broker,” the art house drama film that appeared in competition in Cannes last month had a bright start in Korean cinemas, picking up over $6 million in its opening foray. Its score, however, was not enough to unseat mainstream crime actioner “The Roundup” from the weekend’s top spot. “Broker” earned $4.13 million over the Friday
Universal’s dino-sized “Jurassic” franchise is showing no signs of extinction at the box office. “Jurassic World Dominion,” the sixth installment in the long-running series, pulled in a monster $176 million from 72 international markets over the weekend, bringing its overseas total to $245 million. Combined with its $143 million domestic debut, the film stands at
“Jurassic World Dominion” stomped to the top of box office charts, scoring a massive $143 million from 4,676 cinemas in its domestic debut. Despite blistering reviews, the sixth film in Universal’s dinosaur saga is looming large over a sizzling weekend at the North American box office. It’s only the third time in the pandemic era
“Jurassic World Dominion” is the new apex predator at the box office. Universal’s dino-sequel is expected to earn $142.6 million from 4,676 theaters across North America over the weekend, which would mark the highest domestic opening for a non-superhero film since COVID-19 lockdowns were first introduced. That dethrones the $126 million benchmark set by the
In 1993, audiences were charmed by Robin Williams in “Mrs. Doubtfire,” emotionally stirred by horror and heroism in “Schindler’s List” and reassured that true love exists after checking out “Sleepless in Seattle.” But there’s no denying that the movie of the year, at least in terms of sheer box office impact, was “Jurassic Park,” Steven
“Broker,” the unconventional family drama which appeared in competition at last month’s Cannes Film Festival, topped the box office in South Korea on Wednesday, its opening day. “Broker” grossed $1.10 million, enough to depose crime actioner “The Roundup” from the top spot that it had enjoyed for the past three weeks and which had made
Tom Cruise’s star-spangled blockbuster “Top Gun: Maverick” soared higher than expected in its second weekend of release. The Paramount and Skydance movie collected $90 million over the weekend, above Sunday’s already massive estimate of $86 million. Thanks to positive word of mouth, rapturous reviews and premium screens, ticket sales declined only 29% in its second
“My Blue Summer,” a local romance led the Chinese box office higher over the latest weekend with a modestly respectable $7.2 million (RMB48.2 million) opening session. But the trend is hard to discern due to continually changing COVID conditions in China and the country’s uncertain economic direction. The nationwide Friday to Sunday box office total
“Jurassic World: Dominion” scored the third highest opening weekend of the year in South Korea, but still managed only second place at the box office, a further sign of recovery in the country. For the third weekend in a row, proceedings were dominated by local crime action film “The Roundup.” It earned $10.4 million over
“Jurassic World: Dominion” kicked off at the international box office with a mighty $55.4 million. The sixth installment in Universal’s dinosaur-centric franchise opened in 15 major overseas markets over the weekend, playing on roughly 10,000 screens across Mexico, Korea, Brazil, Italy and more. “Jurassic World: Dominion” had the biggest start in Mexico with $18 million,
“Top Gun: Maverick” has the box office sizzling… again. In its second weekend of release, Tom Cruise’s all-American action film collected a sensational $86 million from 4,751 North American theaters. Those returns rank among the top 10 highest-grossing second weekends in domestic box office history. They also push “Top Gun: Maverick” to $291 million in
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