Last week, “The Equalizer” star and executive producer Queen Latifah announced that the hit CBS series had been picked up for a third and fourth season. The show, in which Latifah plays vigilante Robyn McCall, is currently the network’s No. 2 primetime series, behind only stalwart show “NCIS,” so the multi-season commitment is logical. But
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Natasha Lyonne is set to host the season finale of “Saturday Night Live” on May 21 with Japanese Breakfast performing as the musical guest. The episode will mark the “Saturday Night Live” debut for Lyonne, who is the co-creator, executive producer, director and star of the comedy-drama series “Russian Doll,” which debuted its second season
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Emmy nominee Paapa Essiedu (“I May Destroy You”) and BAFTA winner Stephen Dillane (“Alex Rider”) have joined Oscar nominee Saoirse Ronan (“Little Women”) on the cast of “The Outrun.” The film is the feature adaptation of Amy Liptrot’s bestselling memoir “The Outrun,” adapted by Nora Fingscheidt, the multiple award winning director of “System Crasher.” Fingscheidt
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Despite the optics of shirtless volleyball games and locker room sparring, you can’t make a “Top Gun” movie without a strong and emotionally centered woman. For “Top Gun: Maverick,” a sequel 36 years in the making, the successor to the original film’s Kelly McGillis is Jennifer Connelly. She plays Penny Benjamin, a character referenced in
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Like virtually every major rock act in the mid-1970s, the Rolling Stones had become bloated and overblown. After the generation-defining singles of the ‘60s and the stellar string of albums running from “Beggars Banquet” to “Exile on Main Street,” they’d eked out three comparatively uninspired sets that, due to Keith Richards’ formidable heroin addiction and
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YouTube earlier this year wound down most of its originals division, in a significant pullback on its investment in scripted and unscripted programming. But it’s not totally out of the game: YouTube is continuing to bulk up its slate of kids and family originals, as part of its previously announced $100 million fund earmarked for
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Leading arthouse sales company The Match Factory has acquired distribution rights to murdered Lithuanian filmmaker Mantas Kvedaravičius’ documentary “Mariupolis 2,” ahead of the film’s premiere next week at the Cannes Film Festival as a Special Screening. Kvedaravičius was captured and murdered by the Russian army in Mariupol, Ukraine in early April. The film was co-directed
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Independent Entertainment will launch international sales at the Cannes Film Market on Jerrod Carmichael’s Sundance winner “On the Count of Three.” The film is the directorial debut of comedian, actor and filmmaker Carmichael and he also stars alongside Christopher Abbott (“Possessor”), Tiffany Haddish (“The Card Counter”), JB Smoove (“Spider-Man: No Way Home”) and Henry Winkler
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Billionaire Elon Musk’s plans to buy social media platform Twitter are on hold for now, he said on Friday. “Twitter deal temporarily on hold pending details supporting calculation that spam/fake accounts do indeed represent less than 5% of users,” Musk posted on Twitter. Twitter deal temporarily on hold pending details supporting calculation that spam/fake accounts
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Berlin-based sales outfit M-Appeal has closed sales on Berlin Panorama title “Concerned Citizen” – Idan Haguel’s satirical feature on privilege and prejudice set in Tel Aviv – for several additional territories. Distribution in the U.K. and Ireland will be handled by Peccadillo Pictures; Arti Film will be distributing the film in Benelux, with a nationwide
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Miguel Bernardeau, Guzmán in Netflix smash hit “Elite,” and Mexico’s Renata Notni will head the cast of “Zorro,” a reboot series from Los Angeles-based Secuoya Studios and John Gertz that will stream in exclusivity on Amazon’s Prime Video in the U.S., Latin America and Spain.  The flagship series at Secuoya Studios, “Zorro,” a modern take
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Spare parts of high school comedies from “Peggy Sue Got Married” to “Mean Girls” and beyond have been torn asunder, then sewn back together to create “Senior Year.” In other words, this vehicle for producer-star Rebel Wilson isn’t organic even as a genre homage; its Frankensteinian assemblage always feels more imitative than inspired. Nonetheless, if
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