Schiaparelli’s gilded “opera gloves.” Loewe’s armor-like body sculpting. Marine Serre’s head-to-toe catsuits. The new mode of dressing takes inspiration from bracing for the apocalypse, but with a stronger, sexier MO than your typical Blade Runner fare. It’s glamorous, dripping in gold and rife with baroque patterns. Perhaps the rise of this aesthetic stems from our
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Asif Kapadia, the Oscar-winning guest curator for 2022’s Sheffield DocFest, has unveiled his program A Documentary Journey with Asif Kapadia. Kapadia, who is best known for his documentaries ‘Amy,’ about Amy Winehouse, and ‘Senna’ about Brazilian motor-racing champion Ayrton Senna, opened the last in-person iteration of Sheffield DocFest in 2019 with his feature about legendary
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When it comes to Drake’s music, producer Noah “40” Shebib has been a key architect of the rapper’s sound, and the city of Toronto has served as the backdrop of their work together. Both of those narratives come together in the form of a just-released 13-minute mini-documentary titled “Toronto Rising – 40’s Very Own.” Released
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Conflict hot spots, war frontlines, and violent protests may seem the most obvious places for journalists to die in the line of duty, but “The Killing of a Journalist,” which recently premiered at Toronto’s Hot Docs, compellingly illustrates how investigative journalism—particular the kind that crunches numbers and sticks its nose in the shady corners where
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“Unloved: Huronia’s Forgotten Children,” which world premiered in Hot Doc’s Hidden Histories sidebar, is among several titles at the festival that illuminate historical institutional abuse of or injustice toward people through the intimate stories of survivors. Huronia Regional Center, a now-closed hospital and home for children with developmental disabilities, opened in Orillia (roughly 90 miles
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South Asian focused streamer ZEE5 Global has revealed an 80-strong 2022 slate spread over multiple Indian languages. It includes 40 original series and 40 films. New originals include Hindi-language “Forensic” and “Duranga,” Telugu-language “Recce” and “Kinnerasaani” and Bengali-language “Shikarpur,” “Raktakarabi” and “Swetkali.” Returning originals include “Abhay 3,” “Pitchers 2,” “Sunflower 2,” “Tripling 3,” “Never Kiss
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Freddie Highmore and Maisie Williams will star in an adaptation of a bizarre true story about an American ex-beauty queen who was accused of kidnapping and raping a Mormon missionary in England. Entitled “Sinner V. Saints,” the movie is directed by Tim Kirkby (“Fleabag,” “Veep”) and will be sold by WestEnd Films, which is shopping
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The Indian hit film ‘The Kashmir Files’ has been banned in Singapore by the country’s InfoComm Media Development Authority, on the grounds that it could disturb religious harmony. Backed by ZEE5 and directed by Vivek Agnihotri (“The Tashkent Files”), the Hindi-language film revolves around a university student who learns about the religiously charged political turmoil
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World premiering in Cannes’ Premiere section, Rodrigo Sorogoyen’s thriller “The Beasts”(“As Bestas”) has shared with Variety its poster, crafted by James Verdesoto at New York’s Indika Entertainment Advertising, who as creative director at Miramax was responsible for the original award-winning film poster of “Pulp Fiction,” as well as those for “The Piano” and “The Crying
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Neil Gaiman’s bestselling graphic novel “The Sandman: Act I” has been adapted as a Hindi-language audio adaptation by Amazon’s Audible and DC, with a voice cast of acclaimed Bollywood actors. The books are also adapted as an ongoing English-language audio presentation by Gaiman and audiobook and audio movie pioneer Dirk Maggs. Maggs previously had a
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Cannes Critics’ Week film “The Woodcutter Story” has debuted its trailer. It’s the feature film directorial debut from Mikko Myllylahti, the writer of Cannes Un Certain Regard winner “The Happiest Day in the Life of Olli Makki.” The film is being sold by French sales outfit Totem Films. “The Woodcutter Story” centers on Pepe, a
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The Playmaker Munich is launching sales in Cannes on the claustrophobic, real-time black comedy “Holy Shit!,” and have debuted the film’s international trailer. “Holy Shit!” will have its market premiere in Cannes on May 19. [embedded content] Scriptwriter and director Lukas Rinker has “created an ultimate worst-case scenario that feels relatable yet unimaginable at the
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Kendrick Lamar dropped his first new solo single in nearly four years on Sunday night, called “The Heart Part 5.” The song arrives just days before the long-awaited release of his fifth solo album, “Mr. Morale & the Big Steppers” on May 13. The video begins with Lamar rapping by himself in front of a red
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It’d been six years since Rachel McAdams scrubbed into the Marvel Cinematic Universe as Dr. Christine Palmer, the will they-or-won’t they love interest of Benedict Cumberbatch’s title hero “Doctor Strange.” But while Cumberbatch went on to join the Avengers in their fight against Thanos in the Infinity Saga, McAdams has been MIA since 2016. In
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Who’s introspective? Pete Townshend is, in a new two-hour release from Audible that is effectively a casual audio sequel to his formal autobiography, 2012’s “Who I Am.” The part-talking, part-rocking project, “Somebody Saved Me,” which came out Friday, is an Audible Original that’s essential listening for anyone who cares about the Who, which is a
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SPOILER ALERT: This story discusses major plot points of Marvel Studios’ “Doctor Strange in the Multiverse of Madness,” currently in theaters. Do not read until you’ve seen the movie. Practically from the moment that Marvel Studios chief Kevin Feige announced that Elizabeth Olsen would star in the Disney+ series “WandaVision,” he also made clear that
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“Doctor Strange in the Multiverse of Madness,” the newest timeline-altering tentpole in Disney’s Marvel Cinematic Universe, captured a huge $265 million in its international box office debut. Those mighty ticket sales represent the second-biggest opening weekend overseas in pandemic times. Sony’s “Spider-Man: No Way Home” still stands as the highest-grossing COVID-era debut with $340 million
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Doctor Strange and his questionably effective book of spells has summoned a blockbuster $185 million at North American movie theaters over the weekend, reaffirming the box office dominance of Disney’s Marvel Cinematic Universe after a shakier, pandemic-battered year for the sprawling franchise. The timeline-bending “Doctor Strange in the Multiverse of Madness” represents a return to
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