Republic Records as promoted Kevin Lipson to executive vice president of global commerce and digital strategy, the company’s executive VP/general manager Jim Roppo announced. He is based in Republic’s New York headquarters. In this role, Lipson, a seven-year veteran of the Universal Music Group company, will oversee commerce and streaming for the label’s acts worldwide. He and his staff have worked
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ViacomCBS International Studios and Italy’s Leone Film Group have forged a strategic partnership by signing a long-term agreement to co-produce a wide range of Italian content for the global market.  This potentially milestone pact between VIS and Leone — the prominent indie production and distribution shingle owned and operated by late master director Sergio Leone’s children
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Journalist Christopher Pickard was at the just-concluded Cannes Film Festival as part of a film crew shooting “Cannes Uncut,” a feature-length documentary celebrating the iconic festival that will be ready in time for its 75th edition next year. He shares his experiences of shooting during this year’s festival exclusively with Variety. Like many others, even
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Pedro Almodóvar’s new film “Parallel Mothers,” starring Penelope Cruz, will open the upcoming Venice Film Festival in September. Almodóvar’s hotly anticipated pic, which was shot during the pandemic, will world premiere on the Venice Lido in competition on September 1. The film sees the Spanish auteur reuniting with Cruz, a frequent collaborator, most recently in Almodóvar’s
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September’s 69th San Sebastian Festival has announced its first nine Competition contenders led by Palme d’Or winner Laurent Cantet (“The Class”) and English auteur Terence Davies (“Sunset Song”) but packed out by six female directors. Two at least are already sparking anticipation: Lucile Hadzihalilovic, a French genre auteur backed like Palme d’Or winner “Titane” by
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ITV Studios is the latest super-indie to bow out from October’s Mipcom market in Cannes — traditionally the largest annual confab for the global TV industry. The production-distribution giant joins the likes of “Peaky Blinders” distributor Banijay, whom Variety revealed was skipping the market back in June, and content powerhouse BBC Studios, which also pulled the
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HBO has paused shooting on its “Game of Thrones” prequel “House of the Dragon” because of a positive COVID-19 case on set, Variety has confirmed. As part of testing implemented for all production employees, a production member on the series tested positive for COVID-19. In compliance with industry guidelines, the production member is in isolation,
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The Calculus Creative Content EIS Fund, and other funds managed or advised by Calculus, has invested in Brouhaha Entertainment, a newly formed outfit which combines the slates of seasoned producers Gabrielle Tana, Troy Lum and Andrew Mason. Tana produced the Oscar-nominated “Philomena,” “The Invisible Woman” and “The Dig.” Lum founded Hopscotch Films which became Australia’s
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SPOILER ALERT: Do not read until you have watched “Rick and Morty” Season 5, Episode 5, “Amortycan Grickffiti.” Leave it to “Rick and Morty” to have an episode that’s one-half a coming-of-age (space) adventure and one-half a “Hellraiser”-inspired action-drama. That’s “Amortycan Grickfitti” in a nutshell, separating the kids (Summer and Morty) from the adults (Rick,
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Zac Efron, Karrueche Tran, Andy Serkis, “This Old House” and “Jeopardy: The Greatest of All Time” were among the winners on Sunday night as the National Academy of Television Arts & Sciences (NATAS) announced its remaining crop of Daytime Emmys winners, in the “fiction and lifestyle” fields. The 48th Annual Daytime Emmy Awards for children’s
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Whether you’re escaping the heat or escaping the crowds, summertime calls for getting lost in film’s best coming-of-age stories. Netflix, HBO Max, Hulu, Disney Plus, Amazon Prime and Showtime are all streaming the very best of the genre, reminding us of a time when life felt a bit more simple, but seemed oh-so complicated at
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Movie theater operators did not mince words in asserting that Disney left money on the table by putting Marvel’s “Black Widow” on Disney Plus on the same day as its theatrical debut. In March, Disney announced that “Black Widow,” among several of its 2021 films, would premiere simultaneously on the studio’s subscription-based streaming service —
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I first learned that “Roadrunner,” Morgan Neville’s documentary about the life and death of Anthony Bourdain, contains three sentences spoken by Bourdain that he never actually spoke out loud in the same way that you learn about a lot of things these days: by seeing an eruption of outrage about it on Twitter. The eruption
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“Her voice — it’s just like butter,” said a patron of the Hollywood Bowl Friday night, using the familiar “SNL”-derived description of Barbra Streisand’s voice and applying it to the weekend’s headliner, Christina Aguilera. Not to critique the critiques of esteemed season ticket-holders, but this comparison seemed exactly wrong. Aguilera’s voice is not like butter;
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